Censorship

  • This seems real, and if it is.. I thought Italy was among the best when it comes to, huh, less than smart law proposals about computers and the Internet, but it’s not match for South Carolina. Quoting from RT America: A bill pre-filed by Republican State Representative William Chumley would require that personal computers and other devices block internet access to pornography and obscene content This “Human Trafficking Prevention Act” would fine manufacturers or sellers of electronic devices that do not install the blocks, whether they are created in factories or are at the point of sale.
  • AGCOM, the Italian Communications Authority, should issue tomorrow a new set of rules to enforce online copyright protection that has, so to speak, some minor problems. Here is a synthesis of mine from some excellent articles (in Italian, see links below) by Guido Scorza, a lawyer who closely follows these issues: AGCOM (that is not a Court!) will self appoint itself as a sheriff entitled, by a code written only by AGCOM and media industry lobbies, to shut down or make unreachable from Italy, without real investigation or appeal, any website that they consider guilty of copyright violation.
  • Rome is chaotic and not really efficient, but is still one of the most beautiful, visually stunning cities in the world. An act of Internet censorship just happened that may keep it ugly. Here’s what happened, and how you can help. Rome would be visually stunning if it were not plagued by advertising posters, attached everywhere on huge billboards or, very simply and cheaply, on just every surface that is visible, flat and vertical enough to serve as advertising space, in every corner of the city.
  • (this page is part of the Family Guide to Digital Freedom, 2007 edition. Please do read that introduction to know more about the Guide, especially if you mean to comment this page. Thanks) “He who controls the present, controls the past. He who controls the past, controls the future.” George Orwell, 1984In the context of this book, “the past” consists of both the corpus of already existing creative works, locked by extending copyright beyond decency, and the huge quantity of digital documents already saved in proprietary or unknown file formats.